GQ Magazine

As Design Director, my job was to elevate the quality of our advertising, disrupt the “editorial” industry, and innovate through emerging technology to push the brand forward.

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 This infographic appeared as an advertorial in  GQ Magazine ’s March 2014 issue and was referred to as the "ad of the future" on the Morning Joe talk show on February 25, 2014.   I had to binge watch the entire first season of Netflix’s House of Cards in order to create this piece. Luckily, creating a Frank Underwood "web of manipulation" graphic seemed like a natural way to highlight all the main characters and visualize the narrative arc of the entire season—both for superfans and latecomers to the popular show.

This infographic appeared as an advertorial in GQ Magazine’s March 2014 issue and was referred to as the "ad of the future" on the Morning Joe talk show on February 25, 2014.

I had to binge watch the entire first season of Netflix’s House of Cards in order to create this piece. Luckily, creating a Frank Underwood "web of manipulation" graphic seemed like a natural way to highlight all the main characters and visualize the narrative arc of the entire season—both for superfans and latecomers to the popular show.

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